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Reviews
All reviews are listed by piece.
Truth, Revised Histories, Wishful Thinking, and Flat Out Lies
2010, June 22, Village Voice, "John Jasperse and Nicholas Leichter View Artifice Through Different Lenses", Deborah Jowitt
2010, June 19, The New York Times, "Hamming It Up, With Pink Light, Flashes of Murakami and Flowered Bikinis", Roslyn Sulcas
2010, June 19, Financial Times, "Review: John Jasperse Company", Apollinaire Scherr
2010, June 19, NJ Star Ledger, "Jasperse's new work looks at the stories lovers tell", Robert Johnson
2010, May 22, Minneapolis Star Tribune, "Dancing along the edge of 'Truth'", Caroline Palmer
2010, April 16, Los Angeles Times, "John Jasperse’s flirty West Coast premiere at REDCAT", Victoria Looseleaf
2010, April 10, Time Out Chicago, "John Jasperse: Live Review", Zachary Whittenburg
Becky, Jodi, and John
2009, May 29, The New York Times, "The Lives of Dancers: Tense and Fleeting", Roslyn Sulcas
2007, April 11, The Village Voice, "Next, The Toy Truck Will Plié", Deborah Jowitt
2007, April 6, The New York Times, "Three-Way Connection of Minds and Bodies", Claudia La Rocco
2007, April 3, The New York Times, "3 Dancers Making a Show of Their Age", Gia Kourlas
Misuse liable to prosecution
2007, November 1, Time Out New York, "Getting Wasted: John Jasperse talks trash", Gia Kourlas
2007, October 31, The New York Times, "Milk Crates in the Service of Low-Budget Commentary", Roslyn Sulcas
2007, October 30, The Village Voice, "John Jasperse Pulls a Treasure From the Trash", Deborah Jowitt
Prone
2006, July 15, The Boston Globe, "'Prone' explores the impact of perspective", Thea Singer
2006, May 9, The Irish Times, Christine Madden
2005, December 14-20, The Village Voice, "Watching watchers watch dancers up close and personal", Deborah Jowitt
2005, December 7, Newsday, "On stage, audience participation is required", Apollinaire Scherr
2005, December 5, The New York Times, "Up Close and Personal: Art at Eyelash's-Length", John Rockwell
CALIFORNIA
2005, March 17-24, Time Out Chicago, "Dancing about architecture", Asimina Chremos
2004, December 22-28, The Village Voice, "Behind Bars", Deborah Jowitt
2004, December 9, The New York Times, "Surrounded by Pianos, A Sculpture Overhead", Jennifer Dunning
2004, December 5, The New York Times, "The Pull of Human Emotions", Kathryn Shattuck
2004, July 1, The New York Times, "Evocations Of a Place Where Hope Is Fragile", Anna Kisselgoff
just two dancers
2003, June 11-17, The Village Voice, "Points of View", Deborah Jowitt
2003, June, New York Press, "Four Minus Two: Jasperse maps a mirror", Apollinaire Scherr
2003, May 29, The Wall Street Journal, "Two Dancers, 15 Platforms, Many Mirrors", Robert Greskovic
2003, May 15-22, Time Out New York, "Treasured Mapp", Gia Kourlas
Giant Empty
2002, April 7, Chicago Tribune, "'Giant Empty' is filled with unsettling effects", Sid Smith
2001, June 14, The New York Times, "Feelings for Open Spaces, None for Crowded Areas", Jack Anderson
2001, December 11, The Village Voice, "The Uncertainty Principle: Keep It Up", Deborah Jowitt
2001, November 16, The New York Times, "Exposed to the Elements in an Existential No Man's Land", Anna Kisselgoff
2001, July, ballet tanz, "Bubbles and Waves Under the Dance Carpet: John Jasperse shows 'Giant Empty' in Frankfurt", Gerald Siegmund
2001, June 13, The Herald-Sun, "Jasperse's dance combines movement, set and sound", Susan Broili
Waving to You from Here and Scrawl
2001, January 22, The New York Times, "Contemplating Dullness, the Liveliest Sort" Jack Anderson
2001, January 30, The Village Voice
1999, March 25, The Washington Post, "John Jasperse's'Waving'" The Sky Is Falling", Sarah Kaufman
1997, December 28, The New York Times, "The People Who Shaped the Cultural Year"
1997, April 29, The New York Times, "Making the Movements Spring From Thoughts", Jack Anderson
1997, May 13, The Village Voice, "Worlds of Difference", Deborah Jowitt
1997, Apr 24-May 1, Time Out New York, "Tidal Wave", Gia Kourlas
Excessories and Fort Blossom
2000, June 3, The New York Times, "Men Who Go Naked With Women Who Aren't", Anna Kisselgoff
2000, June 13, The Village Voice, "Choreography Travels in Diverse Landscapes: The Feistiness of Form", Deborah Jowitt
2000, August 9, ballet tanz, "From 1995 to Kubrick's 2001: John Jasperse' 'Excessories' and 'Fort Blossom' at The Kitchen in New York, Frank Werner
2000, June 6, The Village Voice, "Jasperse's Tonic for Excess: Spring Chaser", Whitney Vaughan
1997, August, ballet tanz, "the critics survey"
1997, 22 Mars, Le Monde, "John Jasperse, le nouvel Americain"
1996, October 5, Houston Chronicle, "'Excessories' displays a work of courage", Ann Holmes
1995-1996, Dec. 25-Jan.1, New York Magazine, "The Year's Best and Worst: All This For Only 1995", Tobi Tobias
1995, March 21, The Village Voice, "Dressed for Excess", Tobi Tobias
Madison as I imagine it
1999, May 2, The New York Times, "The hot, brainy choreography of John Jasperse", William Harris
1999, May 25, The Village Voice, "Exploring New Mother Tongues", Deborah Jowitt
1999, May 6-13, Time Out New York, "Eye of the beholder", Gia Kourlas
1999, May 11, The New York Times, "Imagination Comes Up With Bizarre Doings", Jack Anderson
1999, June 3, Lesbian & Gay New York, "Visualizing the Unknown", Brian McCormick
If you would like additional reviews from the Company's archives, please contact us at info@johnjasperse.org.
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